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// LIMITLESS

This one needed a full set, not a couple of hero frames. We stayed with the car through hard light, sunset, blue hour, and night, so the set would cover the whole evening instead of one look.

That was the picture from the start. Harsh sun on the wrap, then the warm last light, then the blue, then lights in the dark. Wide shots, close work, portraits of the car in each of those conditions until it felt complete.

What came out is a proper body of work. Hard light through to night, all in one project, because we were able to shoot it all the way through.

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